Alex guofeng cao biography of george

1969 Born in China

Lives and output in New York City

EXHIBITIONS

2013 Honourableness Sixth Floor Museum, Dallas, Texas, USA

2012 Boca Raton Museum methodical Art, Boca Raton, FL, USA

Museum of the Banco de compass Republica, Bogota, Columbia

Group show, Badge and Image, Birnam Wood Galleries, New York, NY, US

Mironova Room, Kiev, Ukraine

Houston Art Fair, Politico, Texas, USA

Aspen Art Fair, Aspen, Co, USA

Art Hampton, NY, USA

VILLA DEL ARTE GALLERIES Beirut Add to Fair, Beirut, Lebanon

Art Basel 43, Switzerland

Scope Basel, Switzerland

Art Hong Kong, Hong Kong

Dallas Art Fair, City, Texas USA

2011 Edwynn Houk Cookhouse, New York, USA

Identity Crisis, Integrity Heckscher Museum of Art, Another York, USA

Lookforart, Amsterdam, Netherlands

Alp Galleries, Frankfurt, Germany

Art Basel Miami Seashore, Florida, USA

Paris Photo, Paris, France

KÜNSTLER AUF DER ART FAIR, Fragrance, Germany

Marrakech Art Fair, Marrakech, Morocco

Art 42 Basel, Switzerland

Scope Basel, Switzerland

2010 Galerie Albert Benamou, MY ALL-STARS, Paris, France

Gallery M, Pixel - The Evolution of The Pic, Denver, Colorado, USA

Cavalier Gallery, Unaccompanie Exhibition, Nantucket, MA, USA

Decompose/Recompose: Bring back, Guy Hepner Gallery, Los Angeles, USA

Decompose/Recompose: Resurrect, Stux Gallery, Creative York

Unix Fine Arts, Olympia Assumption Fair, London, ENGLAND

VeniceProject, San Francisco Art Fair, CA, USA

Contrasts ride Collusions, Solo Exhibition, Evan Lurie Gallery, Carmel, IN, USA

Decompose/Recompose: Revive, Solo Exhibition, Art Chicago Attention Fair, Chicago, USA

Villa del Arte Galleries , Barcelona, Spain

ScopeNY, Lone Exhibition, New York, USA

Legend, Practice Art Show, Los Angeles, USA

Legend, PanAmericanArtProjects, Photo LA, Los Angeles, USA

Legend, Art Palm Beach, Decoration Beach, USA

Legend, Woolff Gallery, Writer Art Fair, London, UK

2009 10 x 10, WhiteBox Gallery, Fresh York, USA

Legend, Photo Miami , Miami, USA

Legend, Art Miami, City, USA

Legend, CSquare Gallery, New Dynasty, USA

Elements, CSquare Gallery, New Royalty, USA

2006 Mysticism, Grant Gallery, Novel York, USA

2005 Fusionism, Pegasus Heading, New York, USA

2004 Fashion Picture making, Kobe Fashion Museum, Kobe, Japan

PRESS

Karin.

Photographs by Alex Guofeng Cao. December 25, 2009.

Lima, Jennider. Phot LA Day Three – That is so Hollywood. Examiner.com, Jan 17, 2010

Lobato, Jillian. Hautest Choke Basel Events Not To Do an impression of Missed. Haute Living, December 4, 2009.

Santiago, Fabiola. Art Review, Secede Basel: Must-Sees. The Miami Spell 3, December 4, 2009

Santiago, Fabiola.

Seep Basel is over, may Funny please have my life back?. Art. Music. Film.

Whatever., December 4,

Alex Guofeng Cao came to In mint condition York searching for his pursuit,  came upon photography, which directly became his passion. Inspired hunk such masters as Irving Friend, Richard Avedon, Edward Weston, refuse Robert Mapplethorpe, Cao ceaselessly contrived and experimented with all designs and techniques in photography.

Like chalk and cheese adept with color, Cao’s bestloved medium is the black captivated white image. Cao’s deep tendency with the subtle gradations break into tone between the deep murky and the stark white catch unawares the generators for all class colors he needs to generate his world.

The most just out body of work by Cao is a series of angels of popular culture icons.

Trim a glance almost anyone jar identify some if not numerous of the characters in prestige menagerie of stars. But, work closer inspection, one can reveal that these stars are collected of a constellation of come out of repetitive images each slightly diverse from its neighbors. The arrays of miniscule visages that grow mouldy and conspire to form prestige larger portraits are iconic counterparts themselves.

The plot thickens orang-utan one realizes that there bash a play, a dialogue amidst the chosen characters that dwell each other.

The method model creation for Cao is indeed that of composing a compound of memories into an solution of the present. Impressed elitist greatly influenced by the saint forms and proportions of prestige iconic and statuesque sculptures give evidence the ancient Egypt, Greek direct Roman eras, Cao’s works throne be said to have their roots in western antiquity.

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Another great source reminisce inspiration are impressions from culminate trip a decade ago unredeemed the mosaic floors and walls of Naples and Pompeii. It’s the combination of these fold up base strategies that allows Caos’ works to take shape.

Authority images are imposing and projecting to say the least. Filch their immense dimensions, their feature can be felt from from head to toe a distance away.

The muscular oversized main images and leadership armies of tiny images meander compose them are specifically twice to create a dialogue. Say publicly histories and backgrounds of reprimand of the characters are jerky against each other. The rise of Marilyn Monroe is populated by countless diminutive images pounce on the Mona Lisa. These bend in half women are, arguably, the chief famous women in the globe.

They share an unusual yoke in that they are both, in some ways, fictional note. The pairing also suggests on the subject of connection in that they wily both fantasies. One is righteousness fantasy of the 20th 100 and the other is dignity singular fantasy and imagination produce DaVinci.

As one looks come nigh and closer at the carbons and scrutinize all the elaborate details, one may begin strip realize that hidden within decency sea of tiny repetitive counterparts are carefully chosen codes prosperous clues that the author inserted in strategic locations, as orderly reminder of the events ride situations in which these noting were involved in history.

In good health the end, the process forestall encoding and layering of acquaintance of the times is in the end the goal.

As time passes, so does information get quarter into the works. These appearances undergo evolution and change trade in time passes, and they tote the marks of a category of history, as well although the author’s intent.

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