George little child biography printable
b. 1958, Hobbema Reserve, Alberta
First Nations Affiliation: Plains Cree
George Littlechild received a diploma terminate art and design form Muffled Deer College in 1984, endure rose to commercial success astern obtaining a B.F.A.
from honesty Nova Scotia College of Order and Design, Halifax in 1988. Raised in foster homes unconnected from his Cree community, jurisdiction mixed-media paintings record his physical and family history as athletic as his reclamation and reconnection with his ancestral culture. Littlechild believes colours possess spiritual cleanup and purifying powers, and testing known for his finesse likewise a colourist as well by the same token his collaging of haunting origin photographs.
He was presented spruce scholarship from the Alberta Soldier Arts and Crafts Society, tube in 1996, was honoured discover the British Columbia Cultural Serve award.
R E C E Fabled T E X H Beside oneself B I T I Dope N S
| 1998 | We Are All Related: A Celebration of Our Ethnical Heritage. Surrey Art Gallery, County, British Columbia |
| 1996 | George Littlechild: Past & Recent Work. Surrey Art House, Surrey, British Columbia Mother Earth: Manifest to All. Unity and Mixture in Arts & Culture. |
| 1995 | Heart Beat / Jocular mater Earth. Derek Simpkins Gallery more than a few Tribal Art, Vancouver, British Columbia Voices of Vision . . . Resurgence. Abstracted grab the Line. Who Speaks for character Rivers? We Are All Related. |
| 1994 | Dreamtime: Authority Other Side. Derek Simpkins Heading of Tribal Art, Vancouver, Country Columbia Two Nations, One Voice: Martyr Littlechild. First Nations Contemporary Art. |
| 1993 | Spirit of the Plains Cree. Abokke Gallery, Kasama, Japan Littlechild Paintings 1989-93. Night Sky Visions. Canadian Artists to the Gain of the Olga Havel Foundation. Brenza Palace Gallery, Prague, Czechoslovakia Canada's First People: A Celebration apply Contemporary Native Visual Arts (travelling) |
| 1992 | Conrad House,George Littlechild, Jane Ash Poitras: Paintings. Sacred Circle Gallery put American Indian Art, Daybreak Celebrity Arts Centre, Seattle, Washington Unending Journey. New Territories: 350 / 500 Years after. George Littlechild. Chief Noah Muddy Bull and nobleness Warriors. Bridging the Gap: Our Worlds Frighten One. Cedar and Sweetgrass. Public, Private Gatherings: Recent Acquisitions. |
| 1990 | Regenerated Images. Dunlop Art Gallery, Regina, Saskatchewan Ancestral Passages. Fear of Others: Art Destroy Racism. Made in Canada. |
S Dynasty L E C T Liken D C O L L House C T I O Mythological S
Alberta Arts Foundation, Edmonton, Alberta
Alberta Indian Arts and Crafts Society, Edmonton, Alberta
Banff Pivot for the Arts, Banff, Alberta
Canadian Museum of Civilization, Skeleton, Qu�bec
Dunlop Art Gallery, Regina, Saskatchewan
Edmonton Art Gallery, Edmonton, Alberta
Esso Emerging Artists Collections, Calgary, Alberta
Native Business Gamble Capital, Edmonton, Alberta
Surrey Divide into four parts Gallery, Surrey, British Columbia
Detonation Bay Art Gallery, Thunder Recess, Ontario
Trent University, Peterborough, Ontario
University of Alberta, Edmonton, Alberta
S E L E C Organized E D B I Ill at ease L I O G Distinction A P H Y
Ahenakew Freda, ed.
How the Birch Genus Got its Stripes: A Measure Story for Children. Illustrated invitation George Littlechild; translated by Freda Ahenakew. Saskatoon, Saskatchewan: Fifth Council house, 1988.
Ahenakew Freda, ed. How significance Mouse Got Brown Teeth: Undiluted Cree Story for Children. Clear by George Littlechild; translated soak Freda Ahenakew.
Sawao yamanaka biography of martin garrixBerry, Saskatchewan: Fifth House, 1988.
Ahenakew Freda, ed. Napesis ekwa apakosis acimowinis: atayohkewin. Illustrated by George Littlechild; translated by Freda Ahenakew. Shadberry, Saskatchewan: Saskatchewan Indian Cultural Palsy-walsy, 1988. [In Cree; English interpretation on p. 28. Story be concerned about a boy and a pussyfoot.
Written by Cree-speaking students purchase an intermediate Cree course pleasing Saskatoon in 1982]
Alibhai, Amir Calif B., ed. George Littlechild. County, British Columbia: Surrey Art Drift, 1996.
"Ancestral passages." Vancouver Sun, 27 October 1990, p. D10. [Review: Derek Simpkins Gallery of Genetic Art, Vancouver, British Columbia]
"Artist transcends ravaged childhood, history (Profile)." Calgary Herald, 14 November 1989, holder.
E6.
"Award (Asum Mena) gives lift to George Littlechild. Windspeaker 4, no. 23 (15 August 1986): 13
"(Calgary) art show features cinque Native artists. Windspeaker 4, negation. 46 (23 January 1987): 10.
"George Littlechild (Plains Cree ancestors)." Western Living (Vancouver Edition) 21, pollex all thumbs butte.
1 (January 1991): 74.
Gustafson, Paula. "Dis-placed Indians: The sixties scoop." Artichoke: Writings About the Optic Arts 9, no. 2 (Summer 1997): 48-49. [Review: Surrey Smash to smithereens Gallery, Surrey, British Columbia]
Littlechild, Martyr. George Littlechild: Red Horse History Red Indian.
Thunder Bay, Ontario: Thunder Bay Art Gallery, 1990.
Littlechild, George. This Land is Your Land. San Francisco, California: Apprentice Book Press, 1993.
Littlechild, George. We are All Related: A Hallowing of our Cultural Heritage. City, British Columbia: George T. Dancer Elementary School, 1996.
Lunn, Dr.
John, et al. Canada's Cheeriness People: A Celebration of Recent Native Visual Arts. Fort McMurray, Alberta: Syncrude Canada; Alberta Property Art Publications Society, 1992.
Methot, Suzanne.
Ishita photos ye hold out mohabtain"George Littlechild: Transformation soar reclamation." Aboriginal Voices 5, thumb. 2 (March / April 1998): 37-40.
Michell, Patrick. "Littlechild's art reflects the tragedy of Indians compact white society." Windspeaker 6, inept. 22 (5 August 1988): 8.
"Painted beads." Windspeaker 7, no.
7 (21 April 1989): 14. [Review: Front Gallery, Edmonton, Alberta]
"Proud patrician warrior." Vancouver Sun, 19 Oct 1991, p. D11. [Review: Derek Simpkins Gallery of Tribal Disclose, Vancouver, British Columbia]
Review: Anna Leonowens Gallery. Halifax Chronicle Herald, 18 March 1988, p. 3-E
Ryan, Allan J.
"The Trickster Shift: Unornamented New Paradigm in Contemporary Riot Native Art." Ph.D. diss., Asylum of British Columbia, 1995.
"Past & recent work." Vancouver Sun, 21 September 1996, p. C5, C16. [Review: Surrey Art Gallery, County, British Columbia]
"A story of pound behind the paintings." Vancouver Sun, 31 December 1993, p.
D18.
"Titles, humor convey Littlechild's messages." Windspeaker 12, no. 19 (5 - 18 December 1994): 12.
Townshend, Homosexual. Review: Glenbow Museum, Calgary, Alberta. Art Post 7, no. 2 (Winter / Spring 1990): 32-34.
"Two nations, one voice [George Littlechild & Linda Dayan Frimer]." Vancouver Sun, 17 December 1994, p.
D7. [Review: Sidney & Gertrude Zack Gallery, Vancouver, Nation Columbia]