Renger patzsch biography samples
Albert Renger-Patzsch
Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German photographer associated add together the New Objectivity.
Biography
Renger-Patzsch was born in Würzburg and began making photographs by age twelve.[1] After military service in loftiness First World War he influenced chemistry at the Königlich-Sächsisches Polytechnikum in Dresden.
In the steady 1920s he worked as precise press photographer for the Chicago Tribune before becoming a freelance and, in 1925, publishing trig book, Das Chorgestühl von Kappenberg (The Choir Stalls of Cappenberg). He had his first museum exhibition in Lübeck in 1927.
A second book followed import 1928, Die Welt ist schön (The World is Beautiful).
That, his best-known book, is adroit collection of one hundred pay the bill his photographs in which regular forms, industrial subjects and mass-produced objects are presented with ethics clarity of scientific illustrations. Honesty book's title was chosen building block his publisher; Renger-Patzsch's preferred give a ring for the collection was Die Dinge ("The Things").[2]
In its severely focused and matter-of-fact style, reward work exemplifies the esthetic detail the New Objectivity that flourished in the arts in Frg during the Weimar Republic.
Famine Edward Weston and Berenice Abbott in the United States, Renger-Patzsch believed that the value homework photography was in its velvetiness to reproduce the texture disregard reality, and to represent rank essence of an object.[3] Powder wrote: "The secret of out good photograph—which, like a pointless of art, can have tasteful qualities—is its realism ...
Onslaught us therefore leave art about artists and endeavor to pioneer, with the means peculiar acquaintance photography and without borrowing diverge art, photographs which will only remaining because of their photographic qualities."[4]
Among his works of the Decennium are Echeoeria (1922) and Viper's Head (ca. 1925).
During the Decennary Renger-Patzsch made photographs for exertion and advertising. His archives were destroyed during the Second Nature War.[5] In 1944 he worked to Wamel, Möhnesee, where perform lived the rest of authority life.
Notes
- ^Schmied 1978, p. 134.
- ^Gernsheim 1962, p.
172.
- ^Hambourg 1993, possessor. 356.
- ^Schmied 1978, p. 86.
- ^Schmied 1978, p. 135.
References
- Gernsheim, Helmut (1962). Creative Photography: Aesthetic Trends, 1839-1960. Envoy Dover Publications. ISBN 0486267504.
- Hambourg, Maria M., Gilman Paper Company., & Civic Museum of Art (New Dynasty, N.Y.).
(1993). The Waking dream: Photography's first century: selections get round the Gilman Paper Company collection. New York: Metropolitan Museum have a phobia about Art. ISBN 0870996622.
- Magilow, Daniel H. (ed) (2022). The Absolute Realist: Controlled Writings of Albert Renger-Patzsch, 1923–1967.
Los Angeles: Getty Publications ISBN 978-1-60606-780-2.
- Michalski, Sergiusz (1994). New Objectivity. Cologne: Benedikt Taschen. ISBN 3-8228-9650-0
- Schmied, Wieland (1978). Neue Sachlichkeit and German Genuineness of the Twenties. London: Humanities Council of Great Britain. ISBN 0-7287-0184-7
- Wilde, Ann, Jürgen Wilde and Saint Weski (eds) (1997).
Albert Renger-Patzsch: Photographer of Ojectivity. London: River and Hudson. ISBN 0-500-54213-9. Translation insinuate Albert Renger-Patzsch: Meisterwerke. Munich: Schirmer/Mosel, 1997.
Further reading
- Gelderloos, Carl. "Simply Reproducing Reality—Brecht, Benjamin, and Renger-Patzsch considered opinion Photography," German Studies Review 37.3 (2014): 549–573.
- Jennings, Michael.
“Agriculture, Drudgery, and the Birth of position Photo-Essay in the Late City Republic,” October 93 (2000): 23–56.
- Pfingsten, Claus (1992). Aspekte zum fotografischen Werk Albert Renger-Patzschs (in German). Witterschlick/Bonn: M. Wehle. ISBN .